Studio Story

Art shaped by light, texture, and time.

Hi, I’m Shawn—and I don’t start with paint. I start with the surface. I build sculptural, architectural textures using a plaster-based mineral compound, letting ridges, cracks, and soft imperfections do the heavy lifting. Then I paint into it—thin veils, quiet shadows, and restrained tones that let the texture catch the light and keep changing throughout the day.

This isn’t fast art. It’s slow-made work with weight to it, crafted on purpose, finished by hand, and sealed to last. If you love pieces that feel collected, grounded, and quietly bold (the kind you want to touch even though you know you’re not supposed to), you’re in the right place.

HOW IT STARTED

I’ve always been pulled toward materials—things with grit, weight, and personality. Smooth and perfect has never been my thing. I like surfaces that feel lived-in and collected… like they’ve been in the room longer than I have. That’s what I’m chasing when I make: texture with calm, and a finish that holds up under real life and real light.

MATERIALS + SURFACE

My work is rooted in tactile materials and honest finishes. Depending on the piece, you’ll find elements like:

  • Hand-built mineral composite (plaster-based surface work)

  • Hand-painted acrylic tones (thin veils, shadows, and restraint—color comes second)

  • Leather + brass details on select pieces

  • Protective sealers for longevity

Materials can vary from piece to piece, but the goal stays the same: depth, character, and a finish that lasts.

Built slowly. Finished by hand. Sealed to last.

WHAT I WANT YOU TO FEEL

I want you to walk past one of my pieces a hundred times and still notice something new—because the light shifts, your eye shifts, and the surface keeps responding. This work is meant to feel quiet but strong… elevated, not precious… and timeless without trying too hard.

THE PROCESS

Each piece is made in layers. My process usually looks like this:

  1. Surface build — sculpted relief and groundwork

  2. Tone + depth — painted veils, washes, and shadowing

  3. Refinement — edge work, balance, restraint

  4. Details — metallic accents, leather, or subtle inlays (when appropriate)

  5. Finish + protection — sealed and prepared to live in the real world

Texture leads. Color supports.

COMMISSIONS

I offer commissioned work for clients who want a piece tailored to a specific space—size, palette, and overall mood.

A commission is ideal if you want:

  • A specific dimension for a wall or room

  • A palette that matches a space (warm neutrals, moody tones, etc.)

  • A piece that feels architecturally integrated—not “decor”

How it works:

  1. Inquiry + inspiration (photos help)

  2. Size, palette, and direction approval

  3. Deposit to reserve your slot

  4. Creation + progress updates

  5. Final approval + delivery

To inquire: click Commission a Piece or contact me directly.

Lead times vary based on size—once you inquire, I’ll confirm timeline and pricing.

SHIPPING + AUTHENTICITY

  • Carefully packed for safe delivery

  • Ships within the United States (U.S. shipping only at this time)

  • Certificate of Authenticity